Timeless Space
By Kristi-Leigh Gresse
I had the pleasure of attending a double bill feature at the 2023 JOMBA! Contemporary Experience, which showcased two remarkable performances. The first, “Time Machine: Unveiling the Inner Strength” by Joseph Tebandeke from Kampala, Uganda, was a powerful display of strength and vulnerability. The second, “TIMELAPSE” by Unmute Dance Theatre from Cape Town, South Africa, was a mesmerising exploration of time and movement. The experience was nothing short of spellbinding, leaving me at a loss for words. The performances transported me to a timeless space, where I was completely immersed in the artistry before me. It’s no exaggeration to say these performances will stay with me forever. The fearlessness and boundary-pushing nature of the dancers were awe-inspiring, and I wished that time would stand still, if only for a few more moments.
As the title suggests, the audience was granted a unique opportunity to delve into Tebandeke’s connection with his crutches. Each crutch is not merely a tool for mobility but a symbol of the unwavering bond between Tebandeke and his assistive devices. He expounds on the lifelong relationship he has cultivated with each crutch, learning how they move in unison with his body and support his weight. Through this presentation, Tebandeke breathes life into each and every one of his cherished crutches.
The stage is adorned with two sturdy mic stands, each holding a single crutch. A row of crutches, varying in size, space, and style, runs along the length of the stage, serving as a poignant symbol of the journey each crutch has taken to support him. These crutches have enabled him to navigate not only his daily life but also the performance space where he stands today. Through this deeply personal connection, he aims to communicate the importance of the audience’s role in supporting artists with disabilities, highlighting the broader issue of how disabled individuals are perceived both on and off the stage. In a moment of raw emotion, Tebandeke suddenly smashes one of his crutches, sending a jolt of shock through my own body. This unexpected action prompts me to question the underlying reason behind my reaction to this sudden outburst. As I reflected on the situation, a sudden realisation dawned on me. Tebandeke’s intervention was not merely a tool for escaping a burdensome object, but it held a deeper significance for him. It symbolised his personal dependence on that very crutch and how he isn’t so easy to release from this bond. This made me ponder on the unfair stereotypes we attach to physical aids, perceiving them as hindrances rather than treasured possessions that are held dear by individuals with disabilities, such as Tebandeke.
Upon exiting the theatre, my thoughts were consumed by the mesmerising performance of “TIMELAPSE”. It took some time for me to fully comprehend why it had left such a profound impact on me. However, it wasn’t until I witnessed the incorporation of dancer Nadine Mckenzie’s wheelchair into the dance, alongside Andile Vellem and Yaseen Manuel, that everything became clear. The fluid and seamless movements between the performers and the wheelchair produced breath-taking moments of unity, leaving an indelible impression on me. Vellem’s acknowledgement of the wheelchair as an additional performer, rather than just a mere prop, was a radical yet simplistic act that reminded me that aides are not mere tools but are integral to the individuals who use them. These aides deserve the same level of respect and recognition as any other performer, and this performance was a testament to that.
Vellem is a talented choreographer who skilfully incorporates South African Sign Language into his dance works, resulting in a unique and captivating style. Recently recognised as the 12th official language of the country, South African Sign Language has been overlooked by society for too long. Vellem’s work aims to bring attention and support to this language and the community it represents. Through his innovative choreography, Vellem acts as a gateway for others to learn about and appreciate this often-neglected language.
The double bill explored a shared theme, yet each one offers a unique glimpse into the personal creative processes of the dancers and choreographers involved. Through their powerful performances, Tebandeke and Unmute facilitate a diverse and introspective dialogue that never fails to leave a lasting impression. I am continually drawn back to these gifted and equally talented performers, whose raw and authentic portrayals of humanity have captured my heart and mind.
